Jerry is pretty much The Walking Dead’s go-to guy for comic relief nowadays, and watching Cooper Andrews sing and fight Walkers to the tune of Eddie Harris’ It’s All Right Now certainly makes for more entertaining viewing than the usual zombie tussle.
"Reedus is continuing to prove he has what it takes to fill Rick’s boots."Īs for The Kingdom’s infiltration into a local cinema, it’s played mainly for laughs, so you can’t really fault it too much for that. Meanwhile, Norman Reedus is continuing to prove he has what it takes to fill Rick’s boots, and this wiser, less reckless Daryl is the balm we need to Henry’s stupidity right now. One moment in particular, in which she essentially orders one of her own to leave their newborn baby to the undead by way of a Jim Halpert style shrug, tells us exactly the kind of leader this person is in the space of a few minutes, and it works brilliantly.ĭirector Meera Menon immerses us into Connie’s perspective by dampening down the sound and choreographing the camera in a panicked flurry, and while no one was expecting a death scene, it does a good job of heightening the risk posed by the character’s act of valiance. Season 9 hasn’t been great at letting Samantha Morton’s chilly performance as the big bad make an impact, but Bounty finally gives her an opportunity to dominate the screen. Thankfully, the events that transpire at Hilltop do a much better job of establishing Alpha as a person to fear. The former was a tense, slow-paced deadlock designed to properly introduce The Walking Dead’s new main antagonist, while the other was a much more lighthearted, inconsequential affair, though, and Bounty struggles to avoid a tonal discord as it continually hops between the two. What will The Walking Dead movies be about?Įpisode 11 focuses on two unrelated substories taking place within the same day the standoff at Hilltop as Alpha and her Whisperers seek to retrieve Lydia back, and The Kingdom’s attempts to scavenge a projector from a Walker infested cinema.
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